Both the original hardware and the TDM versions of these were strictly mono, but many of the most well–known applications for them required the use of two units, hard–panned to create stereo effects. The reason why the Anthology X plug–in count totals 17 to Anthology II’s 15 is down to the inclusion of two new variants on the H910 and H949 plug–ins. Even after all these years, it’s still by far my favourite plug–in implementation of this classic effect. The two vintage Harmonizers still drip with glitchy, lo–fi digital character, Omnipressor remains perhaps the most vicious compressor ever made (if you can negotiate its idiosyncratic input and output gain arrangements), and a particular highlight for me is having access to Instant Flanger again. In case you’re wondering whether those older plug–ins might seem outdated a decade after their launch, though, let me reassure you that that is very much not so. In fact, nearly all of the plug–ins are faithful recreations of the TDM originals, so I’ll refer readers to the two previous reviews mentioned above for detailed descriptions and comment.
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X Marks The SpotĪuthorised using the iLok system and available in AAX, VST and Audio Units formats for Windows and Mac OS X, Anthology X is basically a complete native port of the Anthology II collection. A few of its constituent plug–ins have been ported to native formats over the years, and Eventide have also developed a couple of newer reverb plug–ins that are native–only, but it’s only now, with the launch of the new Anthology X, that the complete Eventide plug–in range is offered for native platforms.
Like its predecessor, Anthology II was a TDM–only package.
To the original Clockworks Legacy suite it added two plug–ins derived from algorithms used in the H3000, called Band Delays and H3000 Factory, along with reverb and vocal harmony processors derived from the more recent Orville hardware unit, emulations of a pair of old Urei equalisers, two channel strip plug–ins, and a couple of neat utility processors for nudging audio forward or backward in very small time increments. Anthology II, which was reviewed in SOS July 2006 (included no fewer than 15 separate plug–ins. The Clockworks Legacy package was reviewed on its launch in SOS September 2003, and you can read that review online at A couple of years after the Clockworks Legacy bundle was launched, Eventide built on it to create the Anthology and Anthology II collections.
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Available only for Pro Tools TDM systems (remember them?), it comprised accurate emulations of five vintage Eventide processors: the original H910 and its slightly more sophisticated successor, the H949, the Instant Flanger and Phaser, and the Omnipressor compressor. Like ClockworkĮventide first ventured into the world of plug–ins some 12 years ago with their Clockworks Legacy bundle. Nor should we neglect analogue processors such as the Instant Phaser and Flanger, which many still consider the benchmark for those particular effects. It was the start of a lineage that would bring us the classic H3000 multi–effects - a staple of any self–respecting studio in the ’80s - and which includes current models like the Eclipse, H8000FW and H7600. Their original H910 Harmonizer was the first commercially successful pitch–shifter, and one of the first digital effects units to reach the market. It’s hard to think of a bigger name in the world of hardware effects than Eventide. Eventide’s H910 and H949 Harmonizer emulations have been rewritten from the ground up in Anthology X, and the new Dual versions are a real boon.Īnthology X makes many of Eventide’s signature effects available in native plug–in formats for the first time.
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